Dagmar Articus geb.Kriegesmann
recent work
here you can look at my work
here you can find my cv
this is a text about my work
you can read some publications
to contact me look here
 
  
work

Radau
Soundbike,
bike, casette-recorders, cassetts, plastic-bags, Enschede 2007.
 
Klangstuhl
/Soundchair

Khartoum, Sudan, "Here as the Centre of the World", performance & liveart,
5-15-02-2007.
  

Radiotalk

A Radio which tries to sell itself by talking to the people on the Frise Radiomarket
in Beetsterzwaag, Netherlands
May-2007.
4houses
Enschede 2007, Netherlands, "Here as the Centre of the world" , performed sculpture.
 
Dairo

Radioconzert, Gasometer, Oberhausen 2006, Germany.
sound
 
Fanclub

Conzert of the girl-band: "Fanclub" (Jolanda Janssen, Dagmar Articus geb.Kriegesmann), Taipeh, Taiwan, "Here as the Centre of the World", life-performance,
12-21-05, 2006.
video
 
photos

more photos from khartoum
 
 
cv
pdf
Dagmar Articus geb.Kriegesmann 1971 Germany

Education

Dutch Art Institute
www.dutchartinstitute.nl
Enschede, 2005-2007 MFA

FH Koblenz University of Applied Sciences
Freie Kunst,
Koblenz 1999-2003

Gerrit Rietveld Academie
Amsterdam, 2001-2002

Exhibitions

■ Diem-Street, Khartoum, Sudan, "Here as the Centre of the World", performance & live art: "Klangstuhl", internationale project of the Dutch Art Institute together with the Rachid Diab Arts Center, Abdelmoniem Abdiella Hamza, Hester Oerlemans, Alite Thijsen, 5-15-02-2007

■ Leiden, Stedelijk Museum De Lakenhal, "Brains Unlimited", (group-exhibition) Video: "Portrait of Jan Euldering", 3-11-2006/7-1-2007

■ Gasometer,Oberhausen,"KlangLangWelle",Sound/Radioperformance of Dairo (DutchArtInstituteRadioOrchestra) und Resonance FM (London), "Radiovoice", Oktober 2006

■ Guling-Street, Taipeh, Taiwan, "Here as the Centre of the World", life-performance: Konzert der girl-band "Fanclub", internationales Project of the Dutch Art Institute together with Liu Pei-Wen, James Beckett, Prof Huang Hei-Ming, Ricardo Liong-A-Kong, John Heymans, 12-21-05, 2006

■ Nai Hai Gallery, National Taiwan University of Education (NTUE), "Here as the Center of the World", Py-J (curator of the Nai Hai Gallery), Taipeh, Taiwan, 12-21-05, 2006

■ Enschede, University Twente, "Gat in't Brein", medical Symposion, Video: "Portrait von Han Euldering", April 2006

■ Amsterdam, Galerie W139, "Body mapping & Big Mouth Radio", Klang- and Radioproject of the Dutch Art Institute (Enschede) and Resonance FM (London), "laughing", sound-installation, Oktober 2005

■ Planetart, Enschede, "BIMRAB", 2005

■ Ehrenbreitstein, "Haus 121", 5. Kulturtage Ehrenbreitstein, 2004
Publications/Texts

■"Between Perception and Imagination", thesis, sound, light, space and movement as a material of sound-art, translated from German into English by Merry Taylor.

■"Everyday Life and Process", booklet, Project in colaboration with the "Werkplaats Typografie" Arnhem and the Dutch Art Institute, Design by Young-Na Kim.

■"Acoustic photographs", interview with Justin Bennett, published in the art magazine Open 9,5 related to the issue about sound-art Open 9.

Workshops

Soundworkshop
James Beckett
www.jamesbeckett.tk, www.dutchartinstitute.nl

Radio
Knut Aufermann, Sarah Washington Tonic Train www.vibrofiles.com/artists/artists_tonic_train.php
www. dutchartinstitute.nl

Radio
Felix Kubin
www.felixkubin.com, www.dutchartinstitute.nl

Scholarship

■ Best graduation of the year 2003 of the University of Applied Sciences Koblenz.

■ Scholarship and member of the „Studienstiftung des deutschen Volkes”, 2001-2003
 
home cv

Everyday Life and Process

Comment to the sound artistic works of Dagmar Articus geb.Kriegesmann

By Sabine Breitsameter

End of sixties: The Canadian composer and educator R. Murray Schafer created and published the term "soundscape", he focused herewith the listening conscience on "sound as environment " environment as sound: and thus on the acoustical cover, which encloses the human in everyday life. That the world is sound, that noises of everyday life are aesthetic being comprehended as music, this attitude was adopted by John Cage. Initially Schafer´s "Soundscape"-model, however, clarifies that any space, any figure and any situation is acoustically manifested. The listening-into-the-world establishes the perceiving person contact to the representations of this world.

These acoustic representations, however, speak in a different way about our world as the visible matter.

That listening to the environment can unveil aspects of itself commonly hidden for us manifested especially through Max Neuhaus´ “Listen”-actions. Neuhaus started with those actions in New York City in 1968 in order to guide his audience through the landscapes of the US-cities instead of concert halls: of which visible appearance shows an outside, shows surface. On auditory level he refers it to “inside”, to something that keeps our society on running pragmatically and that should not be revealed: efficiency, mobility and consumption speak to us and cannot be kept unnoticed; it is not the aesthetic figure of the audible, which confronts us in everyday life (contrary to that, what confronts us visually as urbanistic and architectonic mostly eastheticised sight of a town), but a mostly deformed random shape: it results from the functioning of the society, which is geared to the mentioned priorities ant not to aesthetical considerations and just hence it is communicative. The noisiness of the traffic and of the constructions, their sounds broken on glass or concrete fronts, the absence of the acoustically designed everyday life, speak an eloquent language.

read more...
Fanclub

Fantilator-concert,
Taipeh, Taiwan 2006.
Klangstuhl

Soundchair
Diem-Street, Khartoum, Sudan 2007
 
 
home   texts
texts
  

Publications/texts

■"Between Perception and Imagination", thesis, sound, light, space and movement as a material of sound-art, translated from German into English by Merry Taylor.

■"Everyday Life and Process", booklet, Project in colaboration with the Werkplaats Typografie Arnhem and the Dutch Art Institute, Design by Young-Na Kim.

■"Acoustic photographs", interview with Justin Bennett, published in the art magazine Open 9,5 related to the issue about sound-art Open 9.
s
 
home work cv about texts contact
MAIL: info at dagmar-articus.de